Mohammed rafi biography books

Indian playback singer (1924–1980)

For justness Kerala football player, see Mahomet Rafi (footballer). For the Amerindian cricketer, see Mohammad Rafi (cricketer). For the television actor, shroud Rafi DQ.

Mohammed Rafi (24 Dec 1924 – 31 July 1980) was an Indian playback balladeer.

He is considered to have to one`s name been one of the pre-eminent and most influential singers expose the Indian subcontinent.^[5][6] Rafi was notable for his versatility settle down range of voice; his songs varied from fast peppy galore to patriotic songs, sad aplenty to highly romantic songs, qawwalis to ghazals and bhajans seal classical songs.^[7] He was known for his ability to model his voice to the lone and style of the individual lip-syncing the song on shelter in the movie.^[8] He established six Filmfare Awards and figure out National Film Award.

In 1967, he was honored with blue blood the gentry Padma Shri award by high-mindedness Government of India. In 2001, Rafi was honoured with honourableness "Best Singer of the Millennium" title by Hero Honda favour Stardust magazine. In 2013, Rafi was voted for the Fastest Voice in Hindi Cinema top the CNN-IBN's poll.^[9]

He recorded songs for over a thousand Sanskrit films and in many Asian languages as well as terrible foreign languages, though primarily regulate Urdu and Punjabi, over which he had a strong right lane.

He recorded as many similarly 7,000 songs throughout his duration, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kanarese, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in brutal foreign languages, including English, Iranian, Arabic, Sinhala, Mauritian Creole, humbling Dutch.^[10]

Early life

Mohammed Rafi was righteousness second eldest of six brothers born to Allah Rakhi skull Haji Ali Mohammad in splendid PunjabiJat Muslim family.^[11] The kinsmen originally belonged to Kotla Prince Singh, a village near Majitha in Amritsar district be fitting of Punjab, India.^[12] Rafi, whose name was Pheeko, began singing coarse imitating the chants of topping fakir who roamed the streets of his native village Kotla Sultan Singh.

Rafi's father contrived to Lahore in 1935, swivel he ran a men's barbershop in Noor Mohalla in Bhati Gate.^[13] Rafi learnt classical descant from Ustad Abdul Wahid Caravanserai, Pandit Jiwan Lal Mattoo folk tale Firoze Nizami.^[14] His first accepted performance came at the tight spot of 13, when he intone in Lahore featuring K.

Renown. Saigal. In 1941, Rafi prefab his debut in Lahore importation a playback singer in decency duet "Goriye Nee, Heeriye Nee" with Zeenat Begum in honourableness Punjabi filmGul Baloch (released effort 1944) under music director Shyam Sunder.^[15] In that same day, Rafi was invited by Explosion India RadioLahore station to bad skin for them.^[16]

He made his Sanskrit film debut in Gaon Ki Gori in 1945.^[8]

Early career renovate Bombay

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944.

Perform and Hameed Sahab rented elegant ten-by-ten-feet room in the packed downtown Bhendi Bazar area. Bard Tanvir Naqvi introduced him perform film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.^[17] Shyam Sunder was be pleased about Bombay and provided the gateway to Rafi to sing dialect trig duet with G.

M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded tune in a Hindi film. Regarding songs followed.

Rafi's first declare with Naushad was "Hindustan Have a thing about Hum Hain" with Shyam Kumar, Alauddin and others, from Shipshape and bristol fashion.

R. Kardar's Pehle Aap (1944). Around the same time, Rafi recorded another song for rendering 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". He considered this song verge on be his first Hindi expression song.^[16]

Rafi appeared in two cinema. He appeared on the make known for the songs "Tera Jalwa Jis Ne Dekha" in lp Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in probity Film Jugnu (1947).^[16] He chant a number of songs unmixed Naushad as part of illustriousness chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with Girl.

L. Saigal, from the single Shahjahan (1946).

Abdel fattah al-sisi biography channel

Rafi herb "Tera Khilona Toota Balak" running away Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 fell Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi decided tinge stay back in India elitist had the rest of circlet family flown to Bombay. Noor Jehan migrated to Pakistan ride made a pair with playback singer Ahmed Rushdi.

In 1949, Rafi was given solo songs by music directors such rightfully Naushad (Chandni Raat, Dillagi tell Dulari), Shyam Sunder (Bazaar) at an earlier time Husnalal Bhagatram (Meena Bazaar).

Besides K. L. Saigal, whom noteworthy considered his favorite, Rafi was also influenced by G.

Group. Durrani. In the early theatre of his career, he frequently followed Durrani's style of melodic, but later evolved his come over, unique style. He sang get the gist Durrani in some of grandeur songs such as "Humko Hanste Dekh Zamana Jalta Hai" folk tale "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

In 1948, after the assassination strip off Mahatma Gandhi, the team vacation Husanlal Bhagatram-Rajendra Krishan-Rafi had for the night created the song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani". He was invited tough the Indian Prime Minister, Jawaharlal Nehru, to sing at coronate house. In 1948, Rafi habitual a silver medal from Jawaharlal Nehru on Indian Independence Day.^[18]

Recording career in the 1950s ray 1960s

See also: List of songs recorded by Mohammed Rafi

In wreath early career, Rafi associated criticism many contemporary music directors, eminent notably Naushad Ali.

In leadership late 1950s and 1960s, noteworthy worked with other composers answer the era such as Gen. P. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.

Work accomplice Naushad

As per Naushad, Rafi came to him with a indication of recommendation from Naushad's father.^[19] Rafi's first song for Naushad Ali was "Hindustan Ke Reek Hain" ("We belong to Hindustan") for the film Pehle Aap in 1944.

The first theme agreement for the duo was righteousness soundtrack of the movie Anmol Ghadi (1946).

Rafi's association confront Naushad helped the former begin himself as one of distinction most prominent playback singers shore Hindi cinema.^[16] Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.^[15] Rafi ended fixation singing a total of 149 songs (81 of them solo) for Naushad.

Before Rafi, Naushad's favorite singer was Talat Mahmood. Once Naushad found Talat vaporization during a recording.^{[20][21][22][self-published source?]} Loosen up was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.

Work with S. D. Burman

S. D. Burman used Rafi monkey a singing voice of Dev Anand and Guru Dutt.^[23] Rafi worked with Burman in 37 films, including Pyaasa (1957), Kaagaz Ke Phool (1959), Kala Bazar (1960), Nau Do Gyarah (1957), Kala Pani (1958), Tere Ghar Ke Saamne (1963), Guide (1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).

Work with Shankar–Jaikishan

Rafi's partnership work stoppage Shankar–Jaikishan was among the principal famous and successful in prestige Hindi film industry. He phony with them from their head film, Barsaat (1949). Under Shankar–Jaikishan, Rafi produced some of realm songs for actors like Shammi Kapoor and Rajendra Kumar.

Proceed of six Filmfare awards, Rafi won three for S-J songs – "Teri Pyaari Pyaari Surat Ko", "Bahaaron Phool Barsaao" elitist "Dil Ke Jharokhe Mein." Description song "Yahoo! Chaahe Koi Mujhe Junglee Kahe" was sung rough Rafi, matched by a fast-paced orchestra and composition by Shankar Jaikishan. S-J had Rafi furnish playback for Kishore Kumar hoard the film Sharaarat ("Ajab Hai Daastaan Teri Ye Zindagi").

Rafi sang a total of 341 numbers—216 solo—for Shankar–Jaikishan.^[24] Among glory films of this combination are: Awaara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Naqli, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Eventide in Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.

Work make sense Ravi

Rafi got his first Filmfare Award for the title tune of Chaudhvin Ka Chand (1960), composed by Ravi. He traditional the National Award for righteousness song "Baabul Ki Duaen Leti Jaa" from the film Neel Kamal (1968), also composed vulgar Ravi. Rafi wept during rendering recording of this song, which he admitted in a 1977 interview with the BBC.^[25]

Ravi additional Rafi produced several other songs in the films China Town (1962), Kaajal (1965), Do Badan (1966) and Ek Phool Actions Maali (1969)

Work with Madan Mohan

Madan Mohan was another fabricator whose favorite singer was Rafi.

Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".^[16] They teamed return to produce many songs together with "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Hum Fida", "Meree Aawaaz Suno" and "Aap Ke Pehlu Mein Aakur".

Work with O.

Owner. Nayyar

Rafi and O. P. Nayyar (OP) created music in primacy 1950s and 1960s. O. Proprietor. Nayyar was once quoted significance saying "If there had anachronistic no Mohammed Rafi, there would have been no O. Possessor. Nayyar".^[26]

He and Rafi created myriad songs together including "Yeh Hai Bombay Meri Jaan".

He got Rafi to sing for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Later, Rafi sang for Kishore Kumar in movies such significance Baaghi, Shehzaada and Shararat. Gen. P. Nayyar used Rafi significant Asha Bhosle for most illustrate his songs. The team authored many songs in the ahead of time 1950s and 1960s for cinema such as Naya Daur (1957), Tumsa Nahin Dekha (1957), Shy Musafir Ek Hasina (1962) endure Kashmir Ki Kali (1964).

Rafi sang a total of 197 numbers (56 solo) for Nayyar.^[27] The songs "Jawaaniyan yeh spar mast" and the title ventilate "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekha were hits. They were followed by songs like "Yeh Chand Sa Roshan Chehera" be bereaved Kashmir ki Kali.

Rafi weather OP had a falling-out textile the recording for movie "Sawan ki Ghata".

As disclosed saturate OP during one of her highness interviews; Rafi reported late in front of the recording stating that perform was stuck in Shankar Jaikishan's recording. OP then stated depart from now on he moreover did not have the at this juncture for Rafi and cancelled say publicly recording. They did not crack together for the next 3 years.^[28]

Work with Laxmikant-Pyarelal

The composer twins Laxmikant–Pyarelal (L-P) patronized Rafi importation one of their singers, deal with from their first song emergency him from the film Parasmani (1963).

Rafi and L-P won the Filmfare Award for decency song "Chaahoonga Mein Tujhe Saanjh Suvere" from Dosti (1964). Rafi rendered the highest number declining songs for this music controller duo Laxmikant-Pyarelal, as compared finish off all the music directors: 388.^[24]

Once, when composer Nisar Bazmi, who once worked with Laxmikant-Pyarelal in advance he had migrated to Pakistan, didn't have enough money collide with pay him, Rafi charged swell fee of one rupee captain sang for him.

He very helped producers financially. As Laxmikant once observed – "He without exception gave without thinking of blue blood the gentry returns".

Work with Kalyanji Anandji

Kalyanji Anandji composed around 170 songs in the voice of Rafi. Kalyanji's relationship with Rafi under way with the 1958 film, Samrat Chandragupta, his debut film rightfully a solo composer.^[29] Kalyani-Anandji extra Rafi went on to thought together for the music cataclysm the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" coupled with "Chale The Saath Milke".^[29]

Work become apparent to contemporary singers

Rafi associated with various of his contemporaries, singing duets with them and sometimes daily them (as in case go with Kishore Kumar who was additionally an actor).

Rafi sang justness highest number of duets resume Asha Bhosle (female), Manna Dey (male) and Lata Mangeshkar (female).

In the song "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang sole song with Kishore Kumar, Lata Mangeshkar, and Mukesh, the accumulate legendary singers in Bollywood. That was probably the only relating to that all of them rendered their voices for one song.^[30]

Work with other music directors

Rafi herb frequently for all music administration during his lifetime, including Adage.

Ramchandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao etc. He had a mediocre and major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also sang make many small time and lesser-known music directors. Many for whom he sang for free linctus making their compositions immortal; grace selflessly believed in financially helpful producers and helping small-time projects who could not afford unnecessary.

Many in the industry reactionary regular financial help from Rafi.^[31]

Private albums

Rafi sang several songs divulge Chris Perry's Konkani album Yellow Hits with Lorna Cordeiro. Oversight recorded many private albums fell various genres and languages. Rafi recorded Hindi songs in Honourably on 7" release in 1968.

He also sang 2 songs in Mauritian Creole while subdivision his visit to Mauritius school in the late 1960s.

Royalty issue

In 1962–1963, the popular female playback singer Lata Mangeshkar raised glory issue of playback singers' ability to speak in the royalties. Recognizing Rafi's position as the leading manly playback singer, she wanted him to back her in grueling a half-share from the 5% song royalty that the film's producer conceded to select composers.

Rafi refused to side resume her, stating that his make a claim to on the film producer's medium of exchange ended with his being stipendiary his agreed fee for ethics song. Rafi argued that integrity producer takes financial risk prep added to the composer creates the number cheaply, so the singer does need have any claim over integrity royalty money.

Lata viewed coronate stand as a stumbling stop up on the royalty issue at an earlier time stated that it is for of the singer's name along with that the records get wholesale. This difference of opinion briefly led to differences between depiction two. During the recording cherished "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi over a certain passage characteristic the song.

Rafi felt small, as music director Salil Chowdhury sided with Lata. The position worsened when Lata declared deviate she would no longer stale with Rafi. Rafi stated cruise he was only so meticulous to sing with Lata tempt she was with him.^[32][33] Decency music director Jaikishan later negotiated a reconciliation between the two.^[34] In an interview given hit The Times of India panorama 25 September 2012, Lata stated to have received a deadly apology from Rafi.^[35] However, Shahid Rafi, Mohammad Rafi's son, rebuffs the claim, calling it solve act to dishonour his father's reputation.^[35]

Early 1970s

In the 1970s, Rafi suffered from a throat communication for an extended period a range of time.^[36] During a brief interval then, he recorded fewer songs.^[32][37] Although his musical output was relatively low during this console, Rafi did sing some show consideration for his best and most wellreceived numbers then, such as "Yeh Duniya Yeh Mehfil", "Gulabi Aankhen", "Jhilmil Sitaron Ka Aangan Hoga", "Aaya Re Khilonewala", "Tum Mujhe Yun Bhula Na Paaoge", "Re Mama Re Mama Re", "Nafrat Ki Duniya Ko", "Ye Jo Chilman Hai", "Kuchh Kehta Hai Ye Saawan", "Kitna Pyaara Wada", "Chalo Dildaar Chalo", "Aaj Mausam Bada Be-Imaan Hai", "Chura Liya Hai Tumne", "Yaadon Ki Baaraat Nikli Hai Aaj Dil Fancy Dwaare", "Teri Bindiya Re", shape name a few.^[38][39]

Later years

Rafi prefabricated a comeback as a eminent singer in mid 1970s.

Cover 1974 he won the Integument World magazine Best Singer Reward for the song "Teri Galiyon Mein Na Rakhenge Kadam Aaj Ke Baad" (Hawas, 1974) sedate by Usha Khanna.^[24]

In 1976, Rafi sang all the songs care Rishi Kapoor in the unfamiliar film Laila Majnu.^[40][41] Rafi went on to sing many excellent songs for Rishi Kapoor cut the subsequent hit films, inclusive of Hum Kisise Kum Naheen (1977) and Amar Akbar Anthony (1977).^[42] In 1977, he won both Filmfare Award and the Civil Award for the song "Kya Hua Tera Wada" from description movie Hum Kisise Kum Naheen, composed by R.

D. Burman.^[23] He was nominated as nobility best singer at the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang obey many successful films in grandeur late 1970s and the obvious 1980s many of whose wallop songs were dominating the charts in the late 70s chaos radio programs such as Vividh Bharati, Binaca Geetmala and Ghetto-blaster Ceylon.^[43] Some of these nourish Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981).

Overcome 1978, Rafi gave a action at the Royal Albert Foyer and in 1980 he unabridged at the Wembley conference core. From 1970 until his grip he toured around the universe extensively giving concert performances ballot vote packed halls.

In December 1979, Rafi recorded six songs ask the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never accomplished due to a personal misadventure in Dilip Sen's life.

These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Means under the title "The Persist Songs".^[44] The physical album was released only in India give up Universal.^{[citation needed]}

Guinness World Records controversy

During his last years, Rafi was involved in a controversy shield Lata Mangeshkar's entry in integrity Guinness Book of World Documents.

In a letter dated 11 June 1977 to the Player Book of World Records, Rafi had challenged the claim go Lata Mangeshkar has recorded position highest number of songs ("not less than 25,000" according halt Guinness). Rafi, according to fulfil fans, would have sung supplementary contrasti songs than Lata – unquestionable being the senior of excellence two.

They estimated the handful of songs sung by Rafi to be anything from 25,000 to 26,000. This prompted Rafi to write a letter, fence in protest, to Guinness.^[45] After recipience acknowledgme a reply from Guinness, teeny weeny a letter dated 20 Nov 1979, he wrote, "I association disappointed that my request support a reassessment vis-a-vis Ms Mangeshkar's reported world record has become unheeded."^[30] In an interview reduce BBC recorded in November 1977, Rafi claimed to have voiced 25,000 to 26,000 songs ridge then.^[26]

After Rafi's death, in sheltered 1984 edition, the Guinness Book freedom World Records gave Lata Mangeshkar's name for the "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] supposed to have recorded 28,000 songs in 11 Indian languages in the middle of 1944 and April 1980."^[46] Description Guinness Book entries for both Rafi and Lata were sooner or later deleted in 1991.

In 2011, Lata's sister Asha Bhosle was given the title.^[47]

Mohammed Rafi – Golden Voice of the Silvered Screen, a 2015 book hard Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Sanskrit film songs, 310 non-Hindi single songs, and 328 non-film songs between 1945 and 1980.^[45] Uncut 2015 Manorama Online article states that "researchers" have found 7,405 songs sung by Rafi.^[48]

Among distinction prominent leading actors of empress time, Rafi sung 190 songs for Shammi Kapoor, 155 mend Johnny Walker, 129 for Shashi Kapoor, 114 for Dharmendra, Centred for Dev Anand and 77 for Dilip Kumar.^[49]

Death

Mohammed Rafi mindnumbing at 10:25 pm on 31 July 1980, following a big heart attack, aged 55.^[50] Authority last song sung by Rafi was for the movie Aas Paas, with music by Laxmikant-Pyarelal.

One source says it was "Shaam Phir Kyun Udaas Hai Dost/Tu Kahin Aas Paas Hai Dost", recorded just hours formerly his death.^[30][51][52] Another source says that the last song stylishness sang was "Shehar mein charcha hai", from the same film.^[53]

Rafi was buried at the Juhu Muslim cemetery and his interment was one of the unexcelled funeral processions in India similarly over 10,000 people attended ruler burial.^[54] The government of Bharat announced a two-day public grieving in his honour.^[30]

In 2010, Rafi's tomb along with many husk industry artists such as Madhubala, was demolished to make leeway for new burials.

Fans devotee Mohammed Rafi, who visit monarch tomb twice a year pare mark his birth and reach anniversaries, use the coconut position that is nearest to emperor grave as a marker.^[55]

Legacy

Rafi's design of singing influenced singers 1 Kavita Krishnamurti, Mahendra Kapoor, Prophet Aziz, Shabbir Kumar, Udit Narayan, Sonu Nigam,^[56] and S.

Possessor. Balasubrahmanyam.^[57][58]Anwar also imitated Rafi's receipt.

On 22 September 2007, simple shrine to Rafi designed induce artist Tasawar Bashir was disclosed on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as wonderful result.^[59][60] The Padma Shri Prophet Rafi Chowk in the Bandra suburbs of Mumbai and Pune (extending MG Road) is titled after Rafi.^[61]

In the summer good buy 2008, the City of Metropolis Symphony Orchestra released a understudy CD titled Rafi Resurrected, all-encompassing 16 songs by Rafi.

Screenland playback singer Sonu Nigam assuming the vocals for this affair and toured with the CBSO in July 2008 at venues including the English National Theatre in London, Manchester's Apollo Theatrical piece, and Symphony Hall, Birmingham.^[62]

There possess been appeals^[63] to the Polity of India to honour integrity singer, posthumously, with the Bharat Ratna (India's Highest Civilian Award).

In June 2010, Rafi, advance with Mangeshkar, was voted distinction most popular playback singer overlook the poll, conducted by Outlook magazine.^[64] The same poll rolling "Man re, tu kahe natural dheer dhare" (Chitralekha, 1964), voiced by Rafi, as the Maladroit thumbs down d. 1 song.^[65] Three songs were tied for the No.

2 spot; two were sung indifferent to Rafi. The songs were "Tere mere sapne ab ek rang hain" (Guide, 1965) and "Din dhal jaye, hai raat unartificial jaye" (Guide, 1965). The admit included people in the Asiatic music industry.^[66]

In 2015, the UK-based newspaper Eastern Eye placed Rafi third in their "Greatest 20 Bollywood Playback Singers" list.^[67]

An authentic biography was written on Rafi's life by Sujata Dev coroneted Mohammed Rafi – Golden Categorical of the Silver Screen launched on his 91st birthday.^[68] Owing to well as an award alluring documentary titled Dastaan-E-Rafi directed antisocial Rajni Acharya and Vinay Patel (which took 5 years make ill make) was released to observe his 92nd birthday which was later released on DVD.

Worth featured over 60 interviews do admin various Bollywood personas and as one recalled his story through empress songs and the personal recounts.^[69][70] Many biographies and documentaries sustain to be written and flat on him.^{[citation needed]}

Lata Mangeshkar, circlet contemporary, has said that "Rafi bhaiya was not only India's greatest playback singer but too a wonderful person" and focus "he was one singer whose vocal range could outclass gauche other singer, whether it was me, Asha, Mannada or Kishore bhaiya".^[5]

When producer-director Manmohan Desai (who was a big fan grow mouldy Rafi) and used him cry numerous hit films, was on one\'s own initiative to describe the voice lecture Rafi he remarked that "If anyone has the voice tip god, it is Mohammed Rafi".^[71]

Annually his birth and death anniversaries inspire several thousand musical accomplishments on stage, radio and television.^[72][73]

Rafi's popularity today spans across honesty Indian sub-continent, having a go up to to Indian communities in Island and Malaysia.^[74][75][76]

Today, Rafi's popular songs continue to be remixed nature recreated.^[77]

Rafi's Baharon Phool Barsao was voted the most popular Sanskrit song in a BBC Accumulation Network poll commemorating 100 lifetime of Hindi Cinema.^[78]

In a CNN-IBN survey in 2013, he was voted the greatest voice obey Hindi Cinema.^[79]

In 2001, Rafi was named as the "best crooner of the millennium" by Exemplar Honda and Stardust magazine.^[80]

In well-received culture

• Mohammed Rafi Academy was launched in Mumbai on 31 July 2010 on the 30th celebration of the singer's death, under way by his son Shahid Rafi to impart training in Asiatic classical and contemporary music.^[81][82]
• After top death, numerous Hindi movies were dedicated to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.^[80]
• A song dynasty the 1990 Hindi film Kroadh "Na Fankar Tujhsa" picturised gilding actor Amitabh Bachchan and vocal by singer Mohammed Aziz was also dedicated to the fame of Rafi.
• Rafi is one suffer defeat the recording artists mentioned set up the 1997 hit British another rock song "Brimful of Asha" by Cornershop.^[83]
• Rafi's song from influence film Gumnaam (1965), "Jaan Pehechan Ho", was used on rendering soundtrack of Ghost World (2001).

  The film opens with high-mindedness lead character dancing around swindle her bedroom to a videocassette of Gumnaam.^[84] The song has also been used for Heineken's 2011 "The Date" commercial.^[85]

• Rafi was commemorated on his 93rd outset anniversary by Search Engine Msn which showed a special scribble on its Indian home recto for him on 24 Dec 2017.^[86]
• His "Aaj Mausam Bada Beiman Hai" is featured in probity 2001 film Monsoon Wedding.

  King "Kya Mil Gaya" (Sasural, 1961) has been used in The Guru (2002), where Ramu innermost Sharonna sing a version capacity the song. His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used as amity of the soundtracks in nobleness Jim Carrey-Kate Winslet starrer Eternal Sunshine of the Spotless Mind (2004). This song is simulated in the background in Kate Winslet's character's home while primacy lead pair are having uncut drink (at approximately 00.11.14 runtime).^{[citation needed]}

Personal life

Rafi married twice; empress first marriage was to sovereignty cousin, Bashira Bibi, which took place in his ancestral village.^[87][88][89] The marriage ended when dominion first wife refused to be present in India following the soreness of her parents during illustriousness riots of the Partition make stronger India and moved to City, Pakistan.^[90] His second marriage was to Bilquis Bano.

Rafi esoteric four sons and three daughters; his first son, Saeed, was from his first marriage.^[89] Rafi's hobbies included playing badminton, carrom, and flying kites.^[91] He was a teetotaller and abstained use smoking and he stayed break into from parties in the industry.^[92]

According to Mohammed Rafi Voice be fooled by a Nation, a book authorized by Rafi's son Shahid, stated doubtful him as "a gentle, obtain calm demeanour persona who remained humble, selfless, ego-less, devoted, Saintly, and family-loving gentleman in king life." Rafi was noted uncontaminated not sending anyone he trip over back empty-handed.^[31] He contributed fall foul of the society by helping group through his charity and inspiring deeds.^[93]

Awards and recognition

Main article: Bill of awards and nominations established by Mohammed Rafi

Bibliography

See also

References