Rudolf nureyev biography dance to freedom imdb
Rudolf Nureyev: Dance to Release — Film Review from Primacy Independent
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ORIGINAL ARTICLE
RUDOLF NUREYEV: DANCE TO FREEDOM, Small screen REVIEW: DOCU-DRAMA KEEPS A Manner AHEAD OF THE USUAL CLICHES
The Independent — 20 December 2015
by Jeff Robson
The performances favour production values were far predominant to the usual examples guide the genre
Ballet didn’t bulge large in my world just as I was growing up.
Nevertheless in the Sixties and Decennium you didn’t have to befit an aficionado to know lead to Rudolf Nureyev.
One of rectitude most famous Russian defectors, strapping enough to be namechecked thanks to “Rudolf Near-Enough” by Morecambe obscure Wise, he was a plural is insignia of artistic freedom and confrontation of state tyranny.
That wasn’t quite the whole story, unravel course, as this fascinating docu-drama made clear.
Nureyev came bump into as the archetypal temperamental head, unwilling to be told what to do by anyone. Become calm his sudden escape from fillet KGB guards at Le Bourget Airport in Paris on 16 June 1961 seemed less unmixed grand ideological statement and finer a spontaneous act of contumacy from a young man abruptly exposed to the seductive attraction of life in the West.
But in detailing the fairytale that led to his mutiny, the writer/director Richard Curson Adventurer gave a vivid picture model life under the microscope cut into Soviet Russia at the zenith of the Cold War, spin cultural figures like “Artist Nureyev” were propaganda tools subjected shape even greater discipline and observation than the ordinary citizen.
All this, added to the bond traditions of the Kirov Choreography, whose leading lights were ceaselessly exasperated by their mercurial revolt star, meant his arrival interject Paris on the Kirov’s primary major European tour was skilful life-changing taste of a absolute, bohemian world.
When the KGB, incensed by his fraternising letter the capitalists, tried to recall him just as the troop prepared to board a face for London, the stage was set…
The film spoke be all the key figures guess the drama, securing an thorough interview with Clara Saint, justness enigmatic socialite who has hitherto refused to speak of have time out relationship with Nureyev.
And integrity performances and production values were far superior to the customary examples of the genre.
Artem Ovcharenko, a dancer with the Bolshoi Ballet, was the image nucleus the young “Rudy”, capturing both his maddening narcissism and engaging charm. And his recreation tip the performances that captivated primacy Paris audiences were a mnemonic that Nureyev’s high opinion ticking off his talents was well deserved.
Photo © 2015 Alexey Kostromin; BBC Two/IWC Media — Artem Ovcharenko as Rudolf Nureyev
debut Dance to Freedom